
We did monoprints again in our Saturday morning art class. It’s a drawing class but I want us to draw in a lot of different ways so we get to know what way speaks to us. We’ve done a lot in charcoal so making monoprints is an opportunity to create an image that is more graphic and abstract.
This time we carved images into rubber. It cuts like butter so you can get a nice smooth line if you want to. We ended up with a bunch of rubber stamps and went from there, partly because I forgot to bring the retarder and when we rolled out ink on plexiglass plates it dred too quickly to draw into it. Still, some fabulous work was done by our intrepid group who are not daunted by less than perfect circumstances, as true artists are not.
Some of us struggle with our imagery and what we want to do. I am struggling myself at the moment. My own true preference is to draw more in the style of cartoons, to create an alternate universe of dancing crocodiles and things like that. But it’s fun to explore and discover other aspects of ourselves. Developing a visual language takes time and even though discourageent sometimes raises its naughty head we just have to carry on. We have to keep doing things over and over in art. And over and over we have to let go of expectation and flow with what emerges. There’s always something great in it.
I occasionally think I ought to be ‘teaching’ more, telling them how to do things. But I resist doing that as much as possible. We’ve all jumped into the deep end of the pool. Sometimes but we flail around a bit, but that’s okay. It’s a faster way to learn and far less inhibiting than having someone stand over you and tell you you’ve got it all wrong—although some people do prefer that way. In our class, we look for what we like in things and try to build on that. And I’ve seen every artist grow, which is a credit to their brave experimentation.
More important than the art is the deep pleasure of sitting with a group of super people all immersed, deeply immersed, in the process of making something fabulous. Sharing a few laughs, dropping a word or two here and there but mostly just working, working. We have the music on and outside the sun shines. Afterwards we lay our work out and look to see the wonders within it.
And next Saturday I will actually bring the retarder and a new kind of paper.
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Because it's brilliant and fun, because it might change the way you see your life journey, even make that journey a little easier and wilder,a big shout out to Allan Hunter's new book— Stories We Need To Know
Words from people who inspire us to think in ways that might change our world to one in which we can all live in peace and prosperity—Howard Zinn, Paul Farmer, Robert Reich and more. Edited by Anna Portnoy, Ann Kim , Kate Holbrook. Based on the Global Values class taught by Brian Palmer at Harvard 2001-2004.
All copy and art—
© Cathy Bennett 2006-2008
Please do not use text or art without permission. Thanks.
I’m Cathy Bennett, writer, artist and teacher in Boston. Looking for signs of art on the planet...and how we might make it.
Mondays: The Saturday Morning Drawing Club is posted under Drawing Club and follows the further artistic adventures of a fine group of women in my Saturday morning drawing class who gather each week to meet the artist within and to prove that we all have a creative core that can rock the planet. It continues last year's posts filed under Drawing Life. The class is now on summer break.
Other days...Dear Readers—I'm on summer break and will be posting only at the beginning of each month. Happy summer to all!
Go Obama!
If you need quality home renovation work and live in the Boston area then Nick Portnoy's your man. He and his highly skilled team mate, Jim, do kitchens, baths and additions. Nick brings incredible expertise and his artist's eye to the job. And he's my fabulous son! Check out his website— nickportnoybuilders
Bono said...
~The world is more malleable than you think. We can bend it into better shape.
~The job of life is to turn your negatives into positives.
And my muse...
There's a crack in everything; that's how the light gets in.
&mdashLeonard Cohen
Boston time...
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May 8th, 2007 at 1:55 pm
another reason I wish I was local! I’d be there with bells on!
May 15th, 2007 at 1:10 pm
Thanks for that. I teach 2 days on Tresco and just last week I was fretting about how much attention I should give without actually interfering with their creative journey. I strive to bring out their own voice and a person less experienced will do just that ….much more readily than a trench artist like myself. It’s beautiful to see. We’re working in pastels and prisma colours. There’s also gouache which reminds me to run to the art shop (in the rain) for paper. I’m sure I’m getting more out of this than the eager students. I learn more each time and love every bit of it.