Perverse Optimist
It snows and snows here in Boston. I stepped out for a few minutes to shovel but thought better of going down to the studio today. Instead I’ve stayed cozy at home and read TIBOR KALMAN: Perverse Optimist, a book about the design career of the late Tibor Kalman. He was married to Maira Kalma who wrote the wondrous The Principles of Uncertainty.
There’s so much I love about this man. First, he did not go to art school and taught himself which really made it impossible to be anything but quirky and funky though he did it with a lot more panache than most. Second, he felt like an outsider because he immigrated from Hungary as a boy and kids made fun of him for being a bit plump and not speaking English. And he kept the outsider vision throughout his career and didn’t try to fit in. Third, he had shrewd political vision. It seems he not only saw that almost everything in art and design has to do with money but he rebelled against conformity and acceptance. All so courageous.
He had a kind of ‘accidental’ career starting as a clerk in a New York bookstore that eventually became Barnes and Noble and becoming their chief designer before moving on to a thousand other things. Whatever he did, he made content the subject and refused to submerge it in fancy, boring packaging. He used his clients’ commissions to say something vital, eventually becoming the designer/editor for a magazine sponsored by Bennetton called Colors, among other things. He was whimsical and anarchical and I can’t help feeling we need some of that spunk now too. The tide has changed, hallelujah, but we’re going to have to keep hope alive. So reading this book on this snowy day is quickening my pulse a little and giving me all sorts of ideas.
I’m just finishing my drawing book which is based on The Saturday Morning Drawing Club, the class I teach at The Arsenal Center for the Arts. It had way too many words. I keep cutting and cutting which gets easier as I begin to work on the images. And then, yesterday, the TIBOR book jumped off my bookshelf and into my hands. I think books are like that. They can sit still for a long time but when you really ought to be considering what they say, they just leap into your hands. My own basic point is that through the practice of drawing and making art we can all be more anarchical, more true to ourselves, braver, wilder, more fun, more empowered, more TIBOR, which I’m now making into an adjective.
BTW, the painting here is the cover of the book—painted in India from a mailed in photo for $40. Isn’t it fabulous?
And now, out to shovel again.


